Cristian Ávila
Actor y bailarín
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A QUADROS

Company

Cristian Avila decides after passing through multiple companies of theater and dance, set their own course as a director. Coinciding with the passage of 10 years on the boards of a stage, is the ideal place to begin his journey time, creates its own language after their training and professional experience, developing their knowledge of the different disciplines in which it specializes: body language , contemporary dance, clown and interpretation. More contemporary performing proposals and proposed new ideas, which mainly employ the universal language of the body, but without neglecting the importance of the word.

References

The main source of inspiration is the movement arts. Through different disciplines like clown, with special stress upon KGB Clowns, The Company Slava Polunin, Anton Valen or television actor and Pepe Viyuela Theatre, among others, as favorites. The dance-theater is language on which this company wants to base its scenic bases, fixing his gaze on the PeepingTom Company, Pina and Akram Khan, not to mention the use of dramatic texts. From the interpretative point of view, use the look of absurd theater, based on such important authors as Beckett, Ionesco and alienation of Bertold Brecht. Betting on the comic and sarcastic component of other groups like the Marx Brothers and The Monty Python. Always starting body language and using voice to criticize the most pathetic aspects of the human condition, its shortcomings and impossibilities.The main source of inspiration is the movement arts. Through different disciplines like clown, in special KGB Clowns, The Company Slava Polunin, Anton Valen or the television actor Pepe Viyuela, as favorites. The dance-theater is language on which this company wants to base its scenic bases, fixing his gaze on the PeepingTom Company, Pina and Akram Khan, not to mention the use of dramatic texts. From the interpretative point of view, use the look of absurd theater, based on such important authors as Beckett, Ionesco and alienation of Bertold Brecht. Betting on the comic and sarcastic component of other groups like the Marx Brothers and The Monty Python. Always starting body language and using voice to criticize the most pathetic aspects of the human condition, its shortcomings and impossibilities.